Download , by Salvador Dali Haakon M. Chevalier
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, by Salvador Dali Haakon M. Chevalier
Download , by Salvador Dali Haakon M. Chevalier
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Product details
File Size: 18769 KB
Print Length: 434 pages
Publisher: Dover Publications; Reprint edition (June 10, 2013)
Publication Date: May 13, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00CRW605S
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Amazon Best Sellers Rank:
#543,223 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Dali writes about his life: at the age of 6 I wanted to be a cook. At 7 I wanted to be Napoleon. And my ambition has been growing steadily ever since. I was 5 when I pushed off a bridge a child smaller than me, he landed on some rocks 15ft below, I do not recall having experienced the slightest feeling of guilt over this incident. I was 6 when I gave a terrible kick in the head to my little 3-year-old sister who was crawling through a doorway, I ran carried away with delirious joy induced by this savage act, but my father, who was behind me, saw it all and punished me. A doctor came to our house to Pierce my sister's earlobes, this ear-piercig appeared to me an act of outrageous cruelty which I decided to prevent at all costs. When the doctor was about to perform the ear-piercing, I whipped the doctor right across the face with a leather tongue breaking his glasses causing the old man to cry out in pain
Dali was an amazing geniius who painted like an acomplished adult at 5 years old, and he was an enormously complex and interesting character. His art may ultimately be seen as more important than Picasso's. Read this book it is very amusing and bizarre and gives you insight into a genius.
I thought I liked Salvador Dali before I read this book, but now I think I love him! I wish more artists would have written their own biographies. This book is very personal and filled with crazy anecdotes that you won't believe but know really happened because Dali was really that crazy! It is like trying to describe a dream, a dream you feel a spectator to yet are the center of attention at the same time. Dali's words will have you wondering if you actually are still dreaming.
This really is a treasure. I won't spoil the book. Just read it if you love Salvador Dali, one of the best Spanish painters since Goya!
If you are interested to learn about the way he thinks and just how crazy he was, then buy this book.
The first fifty-eight pages were missing. None of the chapters in Part One were numbered or named. Uppercase N throughout was a symbol, not the letter. All publication information such as publishing house, date, IBSN, etc. was missing. Greatly disturbing. Request replacement, please.
Ok biography of unusual artist...
Genius isn't pretty, if we are to deduce that this revelation of the secret life of Salvador Dali is representative of the inner reality of genius in general. For certain, genuine creation isn't pretty, as anyone who's ever witnessed childbirth might attest: it's accomplished by blood, obscenity, mucous, hysterics, farts, and pain. Out of such undifferentiated chaos does one mold the miracle of his creation. So in *The Secret Life of Salvador Dali* we get the "confession" of a man whose life from earliest childhood is replete with incidents, fantasies, attitudes, and behaviors that can only be considered pathological.But then how much of this memoir is "real" and how much artistic hyperbole is a question open to debate. For Dali consciously mythologizes his life and makes no secret of the fact that much of his "secret life" may not have actually taken place except in his imagination. "The difference," he writes, "between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant." And shortly afterwards he writes of his life that the "all-powerful sway of reverie and myth began to mingle in such a continuous and imperious way with the life of every moment that later it has often become impossible for me to know where reality begins and the imaginary ends." This is Dali's way of winking at the reader--and yet it's an ambiguous wink at best.For what must always be remembered is that for Dali, the imagination is every bit as "real" in its impact, just as material and plastic, as any historical or anecdotal fact of existence--if anything, the hyper-intensity of Dali's imagination gives his reveries even greater reality. And so Dali, by his own estimation the only true surrealist, presents the story of the first half of his life in its entirety: that's to say, the dreams, visions, and fantasies are given equal weight as the people, facts, and circumstances of conventional autobiography. For the former interact with the latter to produce the uninterrupted "surreality" of the individual life. A man, for instance, who dreams that his best friend has murdered him in his sleep and taken his wife to bed cannot possibly--whether conscious of the fact or not--have lunch with that same friend the next afternoon without his perceptions being altered, right down to his autonomic biological responses, in a very concrete way.Perhaps the best way to read *The Secret Life of Salvador Dali* is as a kind of absurdist novel about the life and ideas of an eccentric, legendary painter named Salvador Dali. For, indeed, this book very often reads like fiction, studded as it is with bizarre episodes worthy of Kafka or Poe. And yet there is also a good deal of Dali's very down-to-earth philosophy of art in this book: his championing of technique, craft, and discipline, and of the renaissance spirit of the great masters who he admires. These attitudes might surprise many who think of Dali solely as the revolutionary and iconoclastic wild man of surrealism.Although he's since become synonymous with surrealism, Dali actually considered himself a traditionalist and what made him a real "revolutionary" and ultimately more surreal than the surrealists was, in his view, the fact that he aligned himself with the most conservative aspects of his artistic craft and his Spanish-European-Catholic roots. In fact, it may come as something of a shock to some to find Dali railing against the dissolution of form, of abstraction, of undisciplined experimentation, of the laziness of modern art. From the opening pages when he bombastically declares with mock seriousness his disgust for the formless mush of spinach and his admiration of the rigorous solidity of shellfish, Dali separates himself from the leveling movements in contemporary art, politics, and society, most of which he consigns to the oblivion of the mulch from which the hierarchic tree of a society of true individuals, of the royalty of spirit, art, and culture will inevitably be reborn. Tradition may be chopped down, trampled, burned to ash...but the roots go deeper than revolution. Tradition never dies. Therefore, Dali sides with tradition.Written when he was barely 38 years old and thus comprising less than half of what would be his allotted life, *The Secret Life* has the feel of a complete autobiography composed from the sober vantage point of the old age Dali cherished and aspired to even as a young man. The text itself is beautifully written/translated--a prose masterpiece of surrealistic metaphor and absurdist hyperbole. An excellent, thought-provoking, and fascinating book from any number of perspectives, *The Secret Life of Salvador Dali* is every bit as unsettling, paradoxical, elusive, contrary, and, ultimately, beautiful, as the paintings for which Dali is so well-known, so misunderstood, and so famous.
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